Released on November 18, 2022
LP, Digital, Cassette
"a very cool dose of out-there, psychedelic rap music" — Brooklyn Vegan
"isomonstrosity, however, is quite possibly the platonic ideal of a pandemic album...." — The FADER's Songs You Need
"There was this idea in the classical world...that you could make sophisticated music, or you could be culturally relevant, but the days when ‘serious music’ could be a part of mass culture were in the past. [But to me] suddenly it was: But what if you can do both?” — isomonstrosity's Johan Lenox in The New Yorker's Talk Of The Town
"the perfect, ominous, deconstructed-classical soundscape" — Flood Magazine
"an avant-garde rap and pop band" — Jason Kramer on KCRW
"wild to hear these [Danny Brown & 645AR] over the song’s abstract experimental orchestral electronic music, but they both sound great in this environment" — Stereogum
isomonstrosity is a pandemic symphony in rap and avant-pop. The project was assembled by three collaborators Ellen Reid, Johan Lenox, and Yuga Cohler. They solicited contributions from an array of contemporary classical composers, then overlaid features from an all-star cast of voices from contemporary rap and modern avant-pop.
The three principals’ credits are unassailable. Ellen Reid won the Pulitzer Prize for Music for her opera p r i s m in 2019, the year after Kendrick Lamar shone a new light on an award previously spoken about mostly in the jazz and classical worlds. Yuga Cohler has a dual career as a Juilliard-trained orchestra conductor and a well-established software engineer working for Google and Coinbase. Johan Lenox is an LA-based artist who studied composition at the Yale School of Music then built a subsequent career as a go-to producer for iconic pop performers, contributing to records by Travis Scott, Big Sean, Shawn Mendes, Teyana Taylor, Lil Nas X, Selena Gomez, and Cautious Clay. Most recently he was an integral part of 070 Shake’s You Can’t Kill Me album, also opening most of her North American tour dates with a pair of sets presenting his solo work and a block of classical composition.
isomonstrosity was inspired in part by the mood and the constraints of the Covid-19 quarantines of 2020-21, recorded separately in pieces, with every musician working in isolation. The goal was to make a vocal chamber music album using the same process as a contemporary rap album, assembling contributions from a wide array of artists then reorganizing them endlessly into a final work. They first commissioned excerpts from established new music composers—Bryce Dessner, Marcos Balter, Nina C Young, Wang Lu, Carlos Simon and themselves—which were then recorded one track at a time by International Contemporary Ensemble. Next, the featured vocalists recorded parts inspired by those excerpts. Finally all of the music was chopped up and restructured, layered and collaged into a final album.
The features include:
Danny L Harle
A few artists, like Danny Brown, probably require little introduction no matter what part of our fragmented music landscape you pay most attention to. If some of the other names aren't familiar, they should be. 645AR and Tommy Genesis are experimental pop artists who regularly flout pop music’s unwritten rules. Zacari has been associated with the Top Dawg family, including multiple features on the Black Panther soundtrack. Empress Of, Vic Mensa and Kacy Hill are underground darlings who have each flirted with the mainstream: Kacy was initially signed to Kanye West's G.O.O.D. label and Vic is both a successful solo artist signed to Roc Nation and a frequent collaborator with his Chicago peer Chance the Rapper. Danny L Halre has become a go-to collaborator for experimental pop artists such as Caroline Elizabeth Polachek, Tkay Maidza, PC Music and Clairo.
We’ll say it again: isomonstrosity is a pandemic symphony in rap and avant-pop. We now live a world where “normal” feels like an artifact of a lost civilization. Lost to political and environmental disruptions. Lost to a world remaking itself after a period when globalization’s steady hum…stopped. isomonstrosity might just be the soundtrack to what comes after.
• ellenreidmusic.com — IG
• johanlenox.com — IG
• yugacohler.com — IG
isomonstrosity speaks about their latest track "careful what you wish for":
YUGA COHLER: "Form and structure are something we talked about a lot on this album. Johan and I in particular have discussed the significance of songs like Travis Scott’s 'SICKO MODE' and Kanye West’s 'New Slaves,' which are really stitching-togethers of multiple songs, in pushing formal boundaries in popular music. 'careful what you wish for’ takes a page out of that book, and features some very disparate elements: the always great Danny Brown on top of a percussive beat, next to 645AR's ethereal falsetto over clarinet processed through a vocoder. I really loved watching Johan have that 'aha' moment to craft an entirely new piece out of these really contrasting fragments."
JOHAN LENOX: "isomonstrosity was the culmination of years spent building relationships and experience throughout the classical music community as well as the rap and pop world. The constraints of quarantine provided the perfect impetus to bring together some of our favorite classical composers and musicians in the only way that seemed possible during a period of remote collaboration and home recording. The result feels like the perfect musical representation of the chaos of that time. It’s one of my favorite things I have ever been a part of."
ELLEN REID: "I met Johan and Yuga when they reached out to write a new piece for a concert they were curating at Lincoln Center. It was cancelled due to COVID, but the three of us continued to talk because we're all music nerds, and we’d have long, wide-ranging conversations about music—from Luciano Berio’s 'Sinfonia' to Kendrick Lamar’s To Pimp a Butterfly."
We began by reaching out to composers whose work inspired us to see if they’d be open to us collaging their compositions — and challenging expectations around authorship in “classical” vs non-classical music. Marcos Balter, Bryce Dessner, Wang Lu, Carlos Simon, Nina C. Young, Johan and I were enthusiastic about the idea. Within the constraints of quarantine, isomonstrosity emerged.